Anyway, he's not the movie's star - the central gimmick and the action sequences are - so any young actor could have played the part. LaBeouf tackles his first grown-up leading man role, and he's. Just one, for example: There are unexplained crashes and detonations all over Washington, and the State of the Union Address goes on as planned? What's the threat level - taupe? He has reason to look constipated, given the film's mounting improbabilities. The studios probably think this is progress.įar in the distance, straining to keep up, are fine actors like Thornton, Rosario Dawson (as a crisp Air Force investigator), Anthony Mackie (as a Pentagon insider), and Michael Chiklis of TV's "The Shield" (as a mournful secretary of defense). There's a screeching multi-car pile-up that Caruso films with overaggressive close-ups - you can't tell who's crashing into whom - and, toward the end, a scene that one-ups the biplane-in-a-cornfield bit in "North by Northwest." Now it's a fighter pilot roaring through a highway tunnel. You've probably figured out who she is, but Jerry and Rachel are too busy dashing around like lab rats to wonder. If you've spent any time navigating a corporation's recorded answering menu, you know this voice and she's your worst nightmare. She barks out driving directions like a GPS dominatrix. Whoever the voice is or represents, she can control traffic lights, ATM machines, LED signs, surveillance cameras, and the nation's entire telephone grid and air traffic control system. The subject is info-age paranoia - the lingering fear that our every move is being watched and stored by a post-Internet, post-Patriot Act somebody or other. All right, we're hooked: What's going on here? In that Porsche, having escaped sour-faced FBI agent Tom Morgan (Billy Bob Thornton) through developments you wouldn't believe if I told you, is Jerry. If Rachel doesn't, her young son (Cameron Boyce) will be lunchmeat. The same woman calls single mother Rachel Holloman (Michelle Monaghan) and orders her to go to the corner and hop in a waiting Porsche. The phone rings and a pleasant woman's voice informs Jerry that the FBI is about to crash through his door and he'd better get moving. Ethan was the good brother, and now his work in top-secret US Air Force skullduggery is landing upon the head of prodigal slacker Jerry. LaBeouf plays the wrong man in question, a mopey Chicago copy clerk named Jerry Shaw whose life goes haywire after his identical twin, Ethan, dies. Bring earplugs and Dramamine, though, and keep "Vertigo" cued up on the DVD player for when you get home. Is it any fun? For an act of pillage, it's pretty entertaining. Serene in the knowledge that few moviegoers under the age of 30 have heard of any of these movies let alone seen them, "Eagle Eye" is Hitch for a modern age bloated by steroids, addled by action, and incapable of long-term attention. It strip-mines at least three Hitchcock classics - "North by Northwest," "The Wrong Man," and "The Man Who Knew Too Much" - then commits unlawful assault on Stanley Kubrick's "2001: A Space Odyssey" just for the heck of it.
Shia leboeuf eagle eye movie#
"Eagle Eye," likewise, is a movie only a copyright lawyer could love. Caruso directed Shia LaBeouf, the movie was called "Disturbia," and the most disturbing thing about it was the obviousness with which everyone involved was ripping off Alfred Hitchcock's "Rear Window." How obvious? The owners of the short story on which "Window" was based are currently suing, citing "Disturbia" as an unauthorized remake.
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